#301369 - Bondage School for Errant Wives TAO — 1

Bondage School for Errant Wives
by A. de Granamor
Tao Productions, Inc.
Hollywood, California
ca. 1974

optimized

and

optimized, pictures-only ebook

It appears that the publisher was so excited about printing his first product that he forgot to put his name and address on it. Above the title on the first page of the story, “TAO — 1” appears. Other Tao products include the work of Robert Bishop. We don't know the name of the artist who rendered illustrations for Bondage School for Errant Wives.

The premise of the story constitutes contra-feminist fantasy, which may have served as literary balm for regular guys in the 1970s. In the illustrated story, husbands share disappointment in the sexual performance of their wives, which allegedly justifies disciplinary measures. None of the women have employment. Under these circumstances, why shouldn't a successful husband reasonably expect his healthy wife to behave as his sexual ideal? Isn't that one of the main reasons guys get married? Doesn't a wife owe that much to her husband?

The story concerns four young Chicago-area couples. Mavis fools around with another man when husband Don goes out of town on business. In the case of Millicent, husband Ben believes that her “extra fat was making her listless when it came to bedtime.” Jack's Joanne is an inhibited prude who'd rather play bridge with the girls than please her husband. Clark's Christine makes herself available but is unresponsive to his ardor.

By chance, the four husbands meet Peter Morley at a local tavern. A sadistic chauvinist, he offers the men a discipline program that will train their wives to accommodate their husbands' desires. To demonstrate the effectiveness of his method, they drive to a house he's rented and meet June, a young widow Peter has whipped and spanked to the point where she's too frightened of more punishment to disobey him.

In the story, the school serves as a means of making marriages better, if maybe only for husbands. From a 21st century perspective, what the husbands do could be characterized as abusive.

Despite her timid, frightened pleas, Christine was stripped naked except for garter belt, charcoal-brown nylons and black leather pumps, and forced to straddle over the sawhorse. Then the straps were buckled tight around her wrists and ankles, with a broader strap fixing around her slim waist; thus she found herself hugely distended, showing off not only the soft plump fig of her pink lips but also the salaciously sinuous valley between her rounded creamy asscheeks. As a further part of her ordeal, her hair was gathered and tied by a pulley rope rising to a ceiling fixture, so that her slightest movement would twinge her tender scalp.

Peter Morley drew up a wooden kitchen stool, seated himself behind the sobbing, apprehensive captive, and, extending a long white feather toward her as, began to tickle the soft fleshy rims while she squealed and blushed and begged Clark to spare her this mortifying shame. But by the time she began to squirm involuntarily from the sensual stirrings the feather caused her dainty quim, Peter Morley lifted his right hand and brought down a black leather sole with a wicked Smackk! on the plumpest curve of her bare right asscheek.

“Owwohhh, ohh don’t, it hurts, oh Clark, how can you stand by and watch me tortured this dreadful way?” Christine shrieked as she writhed furiously, grinding her cunny against the sharp narrow ridge of the implacable sawhorse and only jutting out her superb naked ass the more helplessly to the torment of the spanking sole.

Slyly, the feather resumed, but this time creeping into the intimate groove between Christine’s ass cheeks. She tried frantically to clench her muscles to prevent this supreme humiliation. After a moment, Morley applied a second, then a third spank of the sole at random over her lewdly jutting bare ass, drawing pitiful cries for mercy. In her agitated wrigglings, full access was granted to the feather which tickled her sensitive maiden hole.

Peter Morley continued this maddening Tantalus torrent for five minutes, sometimes tickling Christine and at last aiming for her dainty clitoris, which visibly began to throb and harden like a miniature cock. When she moaned and writhed, beside herself in the awakening of her hitherto dormant sexual senses, the sole regaled her smarting bottom with several vigorous spanks that made her bottom jerk and weave madly this way and that. The friction of the wooden ridge against her tender crotch became a new duress of unutterable agony for the hysterical young beauty.

“I guarantee that this treatment, judiciously repeated, will make your sensitive wife a passionate houri in bed. Observe how innately passionate she is, old man,” Peter Morley lectured as he looked up at Clark’s flushed, excited face. “See how her clit is swelling? A sure sign all she needs is proper wakening — like this.” And again first feather tickled, then sole applied a ferocious whack on the base of that no longer creamy bare ass. Masterfully, Peter Morley kept the unfortunate woman in a state of halfway tension, bringing her almost to come, yet always destroying it by a particularly stinging spank of the sole, till she was bathed in sweat, hysterical and incoherent, babbling prayers for mercy, swearing she would do anything if Clark would only have the torture stopped.

The competent, articulate prose provides colorful descriptions of the wives' bodies and coloring, including their measurements. The author tells us about their lingerie, hosiery and footwear. He details punishment equipment, bondage contraptions and the effects of utensils making impact on female flesh.

To accomplish alignment of story and art in the ebook, the text was re-set with a large typeface. Few changes were made. About 9400 words.

The art clearly shows lovely women being bound and punished by men. Illustrations show fine female figures in unpleasant confinement, sometimes nude, sometimes in stockings and high heels. Some pictures depict scenes in the story and others show tableaux that could be in the story. When possible, optimized illustrations are placed near related text. Art that does not explicitly coincide with the narrative was placed where it fits.

Brightness, contrast and levels were adjusted. Illustrations transposed to ebook format with smooth gradients and sharp edges. 18 pictures are optimized on 55 pages.

A second ebook contains only the optimized art and six pages of advertising by B.B. Publications, including the order form that constitutes the back cover.

All new scans. Female nudity.

NOTE
Although some parts of pictures are obscured on this page, the ebook shows everything that's in the original.

Two optimized ebooks, delivered by download from your 30th Street Graphics account.