#598 - Bitch Goddesses 7 4 Mistresses of Pain Eros Goldstripe
Bitch Goddesses, Volume 7, Number 4
Jenifer Jordan Associates, Ltd.
Hollywood, California
1977
digital replica
Mistresses of Pain, Volume 4, Number 4
Eros Publishing Co., Inc.
Wilmington, Delaware
1976
digital replica
Bitch Goddesses, Volume 7, Number 4
A gentleman in New Zealand requested another issue of Bitch Goddesses magazine and we're pleased to able to oblige. How can a purveyor of 20th century erotica offer too many pictures of imperious beauties in boots abusing a hapless male (see cover)? The page three Editorial calls this motif a “movement.”
The world of the dominant woman and the submissive male is an exciting one, and one in which almost anything goes. Psychologists and psychiatrists have long been debating the psycho-sexual dynamics of this virtual revolution in sexual tastes — but they have not come up with any really satisfactorily convincing superstructures. But one thing is clear — this fascinating trend is becoming more widespread and popular with each passing month, and claiming more and more devotees. We feel it is our task to inform you of the latest manifestations of this sweeping movement.
Vulcanized Vixen
In black leather thigh boots and shiny waist cincher, lovely Greta poses on the patio and the fireplace. Holding a riding crop, she presents the tokens of her alluring womanhood.
Analysis of Sexual Fantasies — essay
The piece seems to be an excerpt from a college assignment. Illustrated with photographs, the writer compares the ideas of Jung and Freud. He references the work of British psychologist Anthony Storr, and his 1970 book, Sexual Deviation, and quotes it. His views have relevance today.
. . . . The critical notion here is that sexual confidence can be achieved without physical beauty, that the attribute that is strongest in the sense of confidence is the sense of self-worth, or the sense of worth that is given to the self separate from the body, limited as it may be in conformity to the sexually attractive ideal.
The relationship of the sense of sexual confidence or inferiority to the fantasy world supplied by advertising and entertainment, by the very style of the consumer oriented economy, is critical, and in this period of history, with the incredible intensity of the barrage of imagery and the concommitant sexual revolution with its blurring of sexual roles, the formerly naive and harmless fantasies of normal people may be undergoing an inbreeding to the point of definite, widespread psychological harm. "In the imagination of both advertisers and adolescents, the world is peopled by men and women of supreme sexual confidence.
These fictitious figures look down on us from every hoarding, and stare at us imperiously from the pages of every glossy magazine. In this dreadful Utopia, lean, bronzed, athletic men stride through life with never a doubt about their masculinity, whilst their beautifully dressed women pose with the nonchalant elegance that demonstrates complete assurance in their feminine charms. Such men and women are never at a loss.
Sophisticated, posed, serene, they confront both life and each other with the calm certainty that, in the eys of the opposite sex, they are supremely desirable . . . Never before have so many people had held up to them the same sexual models with which to try and identify themselves, and in comparison with which they may feel inadequate."
Dominant Deanna
Holding a cat-o'-nine tails, Deanna shows off her thigh-high lace-up boots while reclining on a sofa. She seems relaxed as she displays her girlish curves and studded leather.
Submissive Stud
Using a long whip, Mistress drives Max to his knees, riding him as though he were a pony. She demands that he kiss her black leather thigh boots. In his boxer shorts, he delivers body worship. With his genitalia bound in leather straps linked to his collar, she shoves the handle of her whip into his mouth.
Sabrina, the Siren
Pretty Sabrina models sheer nylons on superb limbs as she abuses her chained male prey. The narrow waistband of the ruffled garter belt identifies this photo set as French.
The ebook contains all content of the magazine except for advertising, yielding an ebook of 50 pages. (We've seen these ads before.) In pursuit of continuity, page sequence was revised. Some margins, borders, walls and floors were cropped out. A few page layouts were revised.
Brightness, contrast and levels were adjusted and shadows reduced. Photographs transposed to ebook format with clarity.
All new scans. Female and male nudity.
Mistresses of Pain, Volume 4, Number 4
When an Eros Goldstripe product was numbered Volume 4, Number 4, it usually meant that the publication was a one-shot — one of a kind. Another example is A Nostalgic Look at Bettie Page, which had no subsequent issues.
The magazine consists of four photo sets that roughly illustrate four lengthy stories. The cover shows samples of two.
Bondage Specialist
The text mostly consists of a first-person account of how a woman developed a career that involves abusing male customers. The petite blond wears heels, hose and long leather gloves and uses a riding crop on her submissive client.
Velda's Sanitorium
Photographs come from two pictures sets with similar brunettes. The narrative and costumes have rubber attire as their theme.
Humiliated Transvestite
Sue-Ann exploits David's submissive nature to obtain obedience from him. She enjoys his secret — that he likes to dress in women's clothes. Photos show him helping her dress in waist cincher and lace-up knee boots, and he wears a similar costume. David tells his story.
. . . . Sue-Ann continued to debase me with her tongue and slam the leather paddle against the tender skin of my buttocks.
Suddenly she gave one last especially vicious stroke and immediately reached to pull up my panties. . . .
Sue-Ann forced me to walk to her bedroom still shackled as I was. She fastened a neck band around me and chained that to a metal hook by the side of her window. The chain was long enough for me to move about the room, but not quite long enough to reach her bed. I slept that night shackled to the wall, making myself as comfortable as I could on the rug.
One of my greatest fears, one I even have nightmares about, is being forced to go outside and mingle with people while I am dressed. Sue-Ann makes me do this, dressing me with her usual eye to perfection as a young but well-dressed housewife. She will make me pick up things for her at the store, shop in the super market and pick up theater tickets. My heart is in my mouth every moment, and I always dawdle terribly over getting dressed to do these chores in public. That only means more punishment, and a few extra errands added to my list to keep out of the safety of the apartment a few more hours.
Mistress to Slaves
The text says that Sylvia learned how to dominate men by watching her mother insult her father. As a professional dominatrix, she enjoys her work.
Photos show a curvaceous blond in long gloves, studded corset, sheer nylons and shiny pumps with five-inch heels. She hits her client with a cat-o'-nine tails, pokes him with heels, and obtains foot worship.
The ebook contains all content of the magazine except for advertising, yielding an ebook of 59 pages. In pursuit of continuity, page sequence was revised. Some margins, borders, walls and floors were cropped out. A few page layouts were revised.
Brightness, contrast and levels were adjusted and shadows reduced. Photographs transposed to ebook format with clarity.
All new scans. Female and male nudity.
NOTE
Although some parts of pictures are obscured on this page, the ebook shows everything that's in the original.
Two ebooks, delivered by download from your 30th Street Graphics account.