Satellite Publishing

How to Tame a Roommate
illustrated by Eric Stanton
Satellite Publishing Company
Jersey City, New Jersey
1961

optimized for ebook viewing
and
pictures-only optimized ebook

Hampered Hercules, Book 2
written by Sadi DeMarque
illustrated by Eric Stanton
Satellite Publishing Company
Jersey City, New Jersey
1961

optimized for ebook viewing

We're proud to be able to offer these 1960s books from Satellite Publishing of Jersey City. We are the first website in website history to show Eric Stanton's How to Tame a Roommate. A couple of sites may show a few pages from Hampered Hercules, Book 2. None has the complete contents.

Both of these volumes were advertised in Satellite's Servant Problems publication, which was illustrated by Gene Bilbrew. The publisher sold risque “new and original material” booklets by mail order for $5.00 each, a lot of money in 1962.

How to Tame a Roommate

Although she's always been an arrogant nag, Anita stumbles upon a book about bondage in the library. Images and ideas expressed on its pages inspire the blond to fully realize her inner sadist and cruelly take control of her sweet roommate, Marie. She studies and buys paraphernalia to effect a plan that transforms her roommate into a leather-clad captive that performs housework.

On the day when her vacation begins, Marie arrives home and begins packing her luggage, anticipating a call from boyfriend David to set a pickup time. Anita jumps on the unsuspecting beauty and wrestles her to exhaustion.

While Marie is unconscious, Anita dresses her in constricting leather from head to toe, including too-tight bra, head harness, and high-heeled thigh boots. Long leather gloves restrict finger movement.

In an equestrian configuration, Anita rides her constrained roommate into the kitchen, using the spurs on her spike-heeled pumps to encourage speed. There, Marie gets started on the first of many menial tasks — washing dishes.

When David arrives, Anita explains that Marie wears her sexy costume and performs cleaning chores because she lost a bet and this is the penalty that the two women agreed to. Marie's tears and obvious discomfort from the tight leather, ignominious postures and brazen display of her beautiful silhouette lead David to ask questions. Marie's presentation is so provocative that he wonders if he may use her as his own slave.

The text provides copious details about the thoughts and emotions of characters and the sensations caused by fighting and the tight confines of leather bondage. The writer uses multiple modifiers to describe body contours and fetish attire.

What first caught his eye was the flagrant way in which the lush outlines of Marie’s superb body were displayed by the garments which she was wearing.

The firm high prominence of her breasts caught his attention at once, for the light was flashing off the glistening leather surfaces of the huge cups that encased her wonderful bosom. The tightness of her costume made her breasts quiver and shake tautly with every movement.

This embarrassed Marie as much as it intrigued David. The extreme snugness of the leather around her cinched-in waist also emphasized the femaleness of her figure and made her more desirable but less obtainable for the tantalized male.

Where her thighs and hips were so tightly and firmly encased in the unyielding leather, Marie’s delightful torso was superbly revealed in every detail of curvature even though it was totally covered and protected by the costume. As she walked in the stiff-legged, halting manner enforced by her high heels and stringent bondage, David could watch in fascination as her wonderfully full and firm body clenched and vibrated with each and every step.

Marie was well aware of the effect of this revelation of her body on David. This immodest display before his questing male gaze caused additional embarrassment and humiliation for the leather-covered beauty.

While David may have been disturbed by this sight of the girl’s exquisite figure, he was confused by the task that engaged her and the clumsy hampered way in which she was forced to perform it. That she was not enjoying her duties was evident from the tears of pain, embarrassment, and frustration that coursed down her smooth soft cheeks, and the sorrow and torment which her pouting lips revealed.

The text was reset for the ebook. Some editing affected paragraphing, punctuation, spelling and a few phrases, but the style and vocabulary of the original prose is retained. 9000 words.

Here, the Maestro works in ink, rendering voluptuous women as comic book characters, fighting each other and then in a domination/submission relationship. His skillful delineation of grand female figures and fetish details — lacy panties, stocking tops with pyramid patterns, spike heels, the sheen of leather — reminds us why his work continues to be popular around the world.

Levels, brightness and contrast were adjusted and shadows reduced. The ebook version of the booklet shows images with sharp edges, bright whites and deep blacks.

The ebook presents each of the 13 Stanton illustrations with characters complete and virtual enlargements of action and fetish features on 50 pages. As possible, optimized images are sequenced in the ebook to align with descriptions in the narrative. While pictures reflect events in the story, not every scene appears in illustrations.

Another ebook collects optimized images from both booklets in the product.

All new scans.

Hampered Hercules, Book 2

This volume continues the story begun in Mr. Bilbrew's Hampered Hercules, Book 1,in our catalog as part of product #437, Hampered T-V Hercules, based on a pirated reprint. The original Satellite iteration did not have the T-V designation in its title, but the pirates added it because it's a story of Connie and Sylvia, who force a captive male to be their domestic servant while dressed in women's clothing.

In the first-person sequel, the reluctantly transformed narrator describes his enforced appearance with alarm:

My hair was still coiffed in a halo of bleached platinum ringlets, and my face made up with plenty of powder, mascara, eye shade, and lipstick, and the metal bar still shackled my elbows so that I could not use my hands effectively despite my immense strength.

The girls next removed the long nylon hose from my legs and the ultra high-heeled feminine shoes from my feet, but left my ankles connected by the chain which was a permanent part of my bondage . . . to emphasize my helplessness and complete loss of masculine initiative. . . .

To my horror, the girls now brought out a long glamorous nylon nightgown and put it on me, releasing my shackled elbows temporarily to get the dainty straps over my shoulders. The softly-clinging sensuous material felt very odd and, in some way, exciting as the loose folds swished about my legs, and caressed my tightly cinched waist. . . . They made me look at myself in the full-length mirror, and the sight of myself so feminized and humiliated and emasculated made my heart thump with terror and my stomach clench with frustration at being thus dominated and abused.

Gorgeous captors tease the trussed male by displaying their lovely bodies. He prepares their bath, helping them to undress while wearing a blindfold. They had him clean the bathroom while his elbows were bound together. Then, he helps them dress for sleep.

After a night of sleeping on the kitchen floor chained to the sink, he cooks breakfast. He serves it to them on his knees, holding a tray at the side of the bed where they sat.

After delivering foot worship to his glamorous captors, guests arrive — newlyweds Joan and her dominated husband, who she leads with a leash attached to a ring in his nose. Dressed in furs, Joan insults her spouse, who she's dubbed Pig, and treats him like a slave.

The text was reset for the ebook. Some editing affected paragraphing, punctuation, spelling and a few phrases, but the style and vocabulary of the original prose is retained. 10000 words.

Here, the Maestro works in pencil, rendering voluptuous beauties going about the business of dressing, binding and humiliating their captive Hercules. Women appear serene and determined, comfortable with their dominating ambitions and role in the household hierarchy.

Levels, brightness and contrast were adjusted and shadows reduced. The ebook version of the booklet shows images with smooth edges and gradients.

The ebook presents each of the seven Stanton illustrations with characters complete and virtual enlargements of action and fetish features on 25 optimized pages. As possible, optimized images are sequenced in the ebook to coincide with descriptions in the narrative. While pictures reflect events in the story, not every scene appears in illustrations.

Another ebook collects optimized images from both booklets in the product.

All new scans.

Three optimized ebooks, delivered by download from your 30th Street Graphics account.