Shemale/Transsexual Publications

Magnificent Margo, Volume 4, Number 4
Satellite Enterprises, Ltd., Inc.
Wilmington, Delaware
1979

digital replica

Although the publisher's page-2 statement claims this magazine to be quarterly, Volume 4, Number 4 numeration suggests a one-time iteration of the title.

When transsexual models exude femininity, the visual experience compares with 1960s op-art designs or Roman trompe l'oeil wall treatments. Seeking female qualities and properties, the eye darts around the image, finding soft skin, tapering limb and round bosom. In the course of that inspection, attention invariably includes brief, possibly incredulous, acknowledgment of the presence of certain male indicia that insist on the character's gender duality.

Satiny undies hugging statuesque curves, hosiery, heels and alluring coiffure grace the model's femaleness. A dissonant dangle, in a range of excitement levels, affirms male origins. And, as a man might, the model often touches herself, but like a well-groomed woman with nicely manicured fingers.

The first pages of the magazine frame its humid environs with these words:

SHE'S BOLD, BLACK AND MAGNIFICENT. TANTALIZING MARGO GIVES US AN EXPLICIT LESSON ON HOW TO TITILLATE AND TEASE WHILE TORTURING HER FAVORITE SLAVE. SHE SLITHERS IN LATEX WHILE HER OBEDIENT SLAVE SQUIRMS BENEATH HER BOOT.

TAKE A DOMINANT TRANSSEXUAL, FIERCE AND EAGER FOR SEXUAL COMBAT, AND A SHY, WITHDRAWN YOUNG MAN, DRIVEN BY HIS OWN SEXUAL DEMONS. . . . MARGO'S DAY STARTED OUT WITH THE REALIZATION THAT SHE HAD TO HAVE SOME ACTION. JOHN'S DAY REQUIRED RELIEF FROM A HOST OF SEXUAL ANXIETIES. HE WASN'T GAY — AND MARGO WASN'T STRAIGHT — BUT A LITTLE THING LIKE THAT WAS NOT GOING TO STAND IN THEIR WAY.

In this collection of photographs, Margo informs tableaux as demanding mistress, when seen alone or with an adoring male on his knees. Displaying full, horizontal erection, she spanks her beau and appears feminine in hosiery and heels. Even when she wipes her maleness against his face or holds it in his mouth, she does so as a woman might, like one of Mr. Stanton's Princks. The penis accomplishes anatomical detail, not a gender-defining graphic element.

As model here, Margo demonstrates dominant womanhood as female posers do in similar magazines. She demands foot and body worship. Restrains the submissive male with straps and head harness. Spanks and straddles. At the end, he's spread-eagle tied to a bed, with buckled cuffs and a serious she-male sitting on him.

On opening pages, Margo appears in black latex leotard and matching gloves, then a rubber dress. She meets her visitor while wearing an open-breasted red leather dress. In most domination scenes, she wears only garter belt, nylons and mules.

The ebook contains all content of the magazine, including advertising, in the original page sequence. Some walls, carpets and margins were cropped out to obtain a more convenient file size. A few page layouts were modified, removing empty spaces.

Brightness and contrast of images were adjusted and shadows reduced. Competent photography appears to have been accomplished in studio with good lighting. Pictures transposed well to ebook pages.

All new scans. Male nudity.

Most fetish magazines from this period suggest sexual activity by proximity. Magnificent Margo heats up scenes with intimate contacts and personal touches.

NOTE
Although some parts of pictures are obscured on this page, the ebook shows everything that's in the original.

also available
Carnal Candy

One ebook, delivered by download from your 30th Street Graphics account.