Mutrix Booklets Ed Mishkin

Sister's TeeVee Revenge
illustrated by Gene Bilbrew
Mutrix Corp.
New York, New York
ca. 1968

digital replica

A popular onstage singer, Chuck enjoys the adoration of groupies, who he sometimes uses for pleasure. Returning to his dressing room after a Friday night performance, he finds exotic Lynn who has a bizarre agenda.

After distracting him with her mouth, she clamps a sturdy padlock around his aroused genitalia. She tells him to dress in the women's clothing she brought with her. He must comply with her strange demands or risk loosing his masculine credibility with fans after she distributes photos of his locked flesh.

At her apartment, he meets sister Phyllis, who enjoys his humiliation. He learns that his forced femininization constitutes revenge by the sisters for his rough abuse of Phyllis following a show he gave a few weeks earlier. He treats so many young women with reckless disregard that he has forgotten this fateful encounter.

They have him dress in an assortment of feminine outfits with his manhood painfully compressed within a tight leather panty. Dressed as a woman, he works as a salesgirl in their fetish boutique. Re-named Chickie, they take him to a party as a girl.

By the end of the story, Chuck/Chickie begins to acknowledge feminine inclinations that developed during his term of punishment. Finally, he wants to be attractive to men.

The first-person prose provides candid exposition of the victim's varied feelings, concerns and sensations. The text provides details about the sexy attire and footwear of all three characters.

The text was reset for the ebook version. Some spelling, punctuation and paragraphing changes were made. 15,000 words.

Eight ink illustrations by Gene Bilbrew, signing as ENEG, illuminate the story. Many of these align with prose accounts.

As possible, pictures were placed near text that describes them. The cover illustration is repeated. The ebook does not contain advertisements or the back cover.

Female protagonists in forced femininization stories derive pleasure from de-masculation of males who insult or injure women. These sisters enjoy their pursuit of TeeVee justice.

Even though a cigar is sometimes a smoke, erotica and other arts often depict male sexuality with graphics of phallic proportions and by the sudden surge of fluid. Here and elsewhere, restraining these spontaneous responses constitutes sadist cruelty or its inverse configuration, masochist fantasy. This story, and its illustrations, devise revenge on multiple levels.

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