Bondage ebooks

Bondage Parade, Volume Three
Nutrix Co.
Jersey City, New Jersey
1962

digital replica

After years of selling photographs and movies at his store in New York City, Mr. Klaw's business became a target of city and postal authorities. He began publishing Nutrix booklets in Jersey City in 1959 and retired in 1963.

In this 64-page volume, three models appear and each takes her turn restraining another in bondage. The setting looks like a living room and the first sequence involves slender Rita Verne and a recliner. Jean Marris attaches Rita to furniture with rope, silencing her with a red scarf. Then, they reverse roles.

Rita now had her chance to retaliate on Jean for making the bondage too tightly and she was most eager to try her hand at binding the girl who had made her so miserable just a short time ago. For this new role of the dominant person or villainess, Rita had to tie Jean Mar-ris on a heavy mahogany bench, which had two pull drawers in it.

Rita bound Jean's wrists to each leg of the sturdy bench so that Jean could not pull them away from the bench. Jean was now getting a taste of the same medicine that she had dished out when she was playing the dominant role when binding her victim.

Rita bent forward to bind Jean's ankles tightly together. Jean let out a howl of pain as Rita smilingly pulled her bound ankles forward and had the end of the rope tied to a bench leg in an extremely tight manner. Jean thought that Rita had deliberately made the bondage much tighter than was necessary, but it was not so, as Rita being new to the bondage modeling game, thought that it would make a better picture if the bondage were excruciatingly tight.

To muffle Jean's pleas to ease up on the bondage, Rita took up a cloth gag and wound it tightly around Jean's mouth, cutting off all speech by Jean. This proved to be very annoying and irritating to Jean, for she had not been as harsh on Rita as R ta seemed to be on her. But there was little that Jean could do, for she was helplessly bound on the bench and could not move her legs or hands. She wrinkled her brow in pain and misery.

Jean tried to pull her wrists free from the sturdy bench legs but her attempt was futile and to no avail, for Rita had bound her wrists much too securely for her to break loose. Jean tried raising up her back so as to get some leverage in order to make the ropes slacken up and thus ease the strain of her bondage.

Rita immediately saw through Jean's attempt and to foil any further trys on Jean's part, Rita slipped a rope around the underpart of the bench and slipped it around twice across Jean's back'. This prevented Jean from making any further attempts to slacken up the ropes. She was thus held firmly to the heavy wooden bench. Rita put one knee in the small of Jean's back and knotted the ends of the rope as tightly as she could pull the ends.

Later in the narrative, Jody Evans shows up with her own plans for helpless Rita.

Jody, as the captor, chose to bind Rita to a leather-covered bar stool, studded with brass stud heads. She made Rita straddle the bar stool and forced Rita's high-heeled feet against the legs of the bar stool. She then wound a long piece of rope around Rita's left ankle and criss-crossed the rope around the rung of the stool, so that Rita could not work her leg free.

A similar tying job was done Rita's right ankle, thus securing Rita firmly to the tall bar stool. The back of the high stool pressed hard deeply into Rita's full bosom, making her try to lean backwards to ease the strain on her chest.

When Jody forced a rubber ball gag into Rita's mouth and firmly bound the ends of the cords attached to the gag around her neck, Rita turned and gave Jody a scared terrified look of extreme nervousness at the tightness of the gag. Rita was beginning to become frightened that perhaps the wooden stick on which the rubber ball was affixed would chip a tooth or knock out a filling in her teeth!

Then, Jody uses chain on Jean.

Jean unconsciously pulled away from Jody as Jody slipped a mesh neck chain around Jean's neck, before linking it to wrist manacles. The steel manacles felt cold and clammy against Jean's flesh and made her most uncomfortable and miserable. From Jean's wrist manacles was another set of chains which were attached to the leg manacles on her feet.

Jody knelt down and snapped a small lock between the links of the chain, affixing it securely to the steel leg manacles. Jean groaned inwardly at this restriction of the use of her legs, for Jody had pulled the chain tighter, taking up the slack in the chains and making the links taut. This left only a slight leeway for Jean to move her hands and feet.

Not quite satisfied with the tautness of the chain linking the wrist manacles to the leg cuffs, Jody pulled down the chain lower and then snapped the lock down six inches lower. This now pulled Jean's hands down much lower, so that she found it most difficult to straighten up.

Other scenes have models attached to a pool table, with a pool cue behind elbows. A hairbrush gets used for spankings. Models pose in bras, garter belts, sheer nylons, big panties and pumps with six-inch heels. In a few pictures, one model wears a bustier.

The ebook contains all content of the booklet, including two pages of Nutrix advertising. The original page sequence is retained. Some empty margins, carpets and drapery were cropped out. Horizontally proportioned photographs were rotated for viewing convenience.

Brightness, contrast and levels were adjusted and many specks re-touched. The professional photography transposed to ebook format with clarity.

All new scans.

One ebook, delivered by download from your 30th Street Graphics account.